arrotino

navigate by keyword : knife grinder scraper pearl 16th aphrodite arrotino artworks associated bernardo buontalenti century collections copy depicting design designed display dome earth elements fire floor florence four gallery goddess greek hellenistic housed incorporates inlaid italy lantern late likely marble marsyas medici mosaic mother myth octagonal open precious roman room satyr scarlet sculpture sculptures sharpening slave swissitaly symbolically tribuna two uffizi velvet venus walls water wind

The Blade-Sharpener and other Ancient Roman Statues, University Plaster Casts Collection, Pisa, Italy Royalty Free Stock Photo

Knife sharpener while sharpening the blade of the knife on the l Royalty Free Stock Photo

Elder while sharpening the blade of the knife on the large water Royalty Free Stock Photo

the Venus de' Medici and the Arrotino, the Uffizi Gallery in Florence, Italy

Elder while sharpening the blade of the knife on the water wheel Royalty Free Stock Photo

Elder while sharpening the blade of the knife Royalty Free Stock Photo

A bronze sculpture depicting a knife grinder on the lakefront of Bissone, Switzerland Royalty Free Stock Photo

two renowned marble sculptures, the Venus de' Medici and the Arrotino (also known as the 'Scraper' or 'Knife-grinder'), housed within the Tribuna room of the Uffizi Gallery in Florence, Italy. The Venus de' Medici is a Hellenistic Greek sculpture depicting the goddess Aphrodite (Venus). The Arrotino is a Roman copy of a Hellenistic sculpture, likely depicting a slave or a satyr sharpening a knife, often associated with the myth of Marsyas. The octagonal Tribuna room was designed by Bernardo Buontalenti in the late 16th century to display the most precious artworks from the Medici collections. The room's design symbolically incorporates the four elements: a mother-of-pearl dome for water, an open lantern for wind, scarlet velvet walls for fire, and an inlaid mosaic floor for earth.