daliesque

navigate by keyword : notable selfportrait dali front easel staring fixedly effort summon unconscious transfer straight canvas foreshortened hand flung spectator reminiscent 17th century master caravaggio one italian masters diligently studying late 1930s typically daliesque double crowded back including wife gala eyes shadow interpreted arcade priest resembles donkey 39aph39 head african aspect work evaluated basis statement africa counts remember well

Rhinocerotic Figure of Phidias\'s Illisos, 1954 by Salvador Dali Royalty Free Stock Photo
Abstract scissors brightly coloured daliesque Royalty Free Stock Photo
Silver melted clock Royalty Free Stock Photo
Time - Abstract study time distortion Royalty Free Stock Photo
Warp Time Royalty Free Stock Photo
Coyote Buttes Surreal Landscape Royalty Free Stock Photo
Melting Portrait Royalty Free Stock Photo
Impression of Africa-Salvador Dali - Visionsof War
Theory of Relativity Royalty Free Stock Photo
Molten Time Daliesque Royalty Free Stock Photo
Frozen in time Royalty Free Stock Photo
Trapped in a bubble Royalty Free Stock Photo
Melting Portrait Royalty Free Stock Photo
When Tears Fall in the Desert Royalty Free Stock Photo
Time in motion Royalty Free Stock Photo
This is notable for the selfportrait of Dali in front of his easel, staring fixedly in an effort to summon up images from his unconscious to transfer straight on to the canvas. His foreshortened hand, flung out at the spectator, is reminiscent of the 17th-century master Caravaggio, one of the Italian masters whom Dali was diligently studying in the late 1930s.Typically Daliesque double images are crowded into the back of the picture, including his wife Gala with eyes in shadow that can be interpreted as part of an arcade, and an image of a priest which also resembles a donkey's head. The African aspect of the work can be evaluated on the basis of Dali's statement that Africa counts for something in my work, since without having been there I remember it so well!'


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